Doctor Who - The Beast Below - Thoughts

Not quite as out and out fun as last week's, but then, it wasn't really a 'fun' episode.

Pacing seemed off, as if it had been heavily editted, especially at the start. Perhaps the episode originally overran quite a bit?

Ending belaboured its point rather too excessively, and there was a bit of anticlimax after Amy forced the queen to press the button.

Mostly another fine episode, though, if not super-memorable.

Liz Ten (I am amazed this wasn't a pun) wasn't the *greatest* performance we've ever had, and Moffat runs the risk of making all his female characters these spunky amazonwarrior types.

Not sold on Gillan yet. She seemed to be overdoing it and pantomiming quite a bit. Actually moreso than last episode.

Smith's performance is a really odd kettle of fish. He varies between genuine and intentional self-parody, occaisionally lapsing into this sort of massively emphasised enunciation, like the language is unfamiliar to him. He needs to watch this - push it too far and the performance will seem like Smith is contriving it. BUT, if he's careful with it, I think it works well. It's like the Doctor's words feel sort of unfamiliar to him even as he says them, and he's conscious that there's a gap between his language and his self. Plus it's counterpointed by quieter, more 'normal' moments. I've noticed that in between the 'weird' dialogue, Smith's Doctor actually has the most urbane. He uses colloquialisms and talks like any normal guy, as if he's not the Doctor at all. It's the exact opposite of the overstated weirdy performance. I think in this episode he sided a bit too much on the weirdly and could have done with a bit more of the super-normal talk. (I like this weird contradiction. It is odd because it is banal.)

Based on last week's episode, and on those threads I picked from this weeks, it's still too early days to judge this performance, because none of that stuff is heavily dramatic/emotional. Seeing how he adapts to performance to the extremes will ultimately decide how good he is. (It wasn't until we saw Tennant try to handle moments of real anger that it became evident there was a big weakness.)

But then there was (quite unexpectedly) the moment in the dungeon. The Doctor, coldly telling Amy she doesn't get to make choices with him, telling her she's going home, then losing his cool and yelling that nobody human has anything to say to him. And then the follow on, in which he says he'll have to get a new name (this moment, this line, really resounded with me - divesting himself of his name, AGAIN, he is truly disgusted with himself). For me this was a moment of more powerful pain and anger than Tennant ever managed. Now I am really hopeful for Smith's Doctor, and it won't take much more for me to be sold.

The story as a whole was patchy, with odd pacing, but quite good. Maybe a 7/10 or just short thereof. Smith's performance rates higher.

A couple of sidenotes: The design work on this series seems to have been stepped up a notch even as the CGI has stepped down. Also, I like the return to the early Hartnell style of having each story end by beginning the next.

Further thoughts: The Smilers pretty much extraneous. Just there to add a creepy visual monster to proceedings. Never really serve a purpose or gain any explanation. Probably would have worked *better* without the half-smilers. Prior to that they are just creepy-humourous alternative to the hackneyed CCTV police state imagery, with the little trick up their sleeve that they're also the enforcement. Adding the half-smiler line suddenly makes more of them than their presentation can live up to.

Also, why the 'You look Time Lord' retread? This was jarringly unneccesary. Smith seemed to have trouble making it fit in, too.

Appreciated the tying into the Ark in Space timeline.

Did I imagine it, or did they boost the bass in the themetune this week?